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pixel reproduction of the myth Claim


"By sea and land and what it covers everything, the sky, was unique in the aspect of nature in the whole world, which they named Chaos, and tangled and shapeless nothing but a barren mass, piled on her ill-assorted elements of things not well assembled " With

this cosmology on the origin of the world, the Latin author Ovid beginning, for over 2,000 years, a work which would incorporate the Greek myth and transformed to create a perfect compendium of these timeless tales: Metamorphoses. His influence on Western culture is absolutely undeniable, and the game, as it is modern environment has also been added to this tradition. Do not Look Back , I discovered recently by Hadouken , fits perfectly into this concept because it collects a myth known to all as is that of Orpheus and Eurydice and cut to the simplification of a pixel overwhelming not will only remind us that we are in the underworld. What interests me is that part of the myth is to recover a way of conceiving eighties video games without leaving the chaos and fun instant, now becomes a much broader meaning. A formula which has already seen a perspective in keeping with the times and that leads to gems like this little great work. Do not Look Back has great moments (such disturbing rain, the appearance of a Cerberus reduced to a minimum) but the one I liked is, without doubt, the fade to black leaving only our character as concerning the action. A passage that reminded me to also brilliant chapter of Gears of War2 when you're inside a giant Locust, like Jonah inside the whale , and lose track of space to move between the viscera of elephantine animal.

After finishing the game, yesterday re-read the great article fascinated By Stan wrote about myth and video games for the now defunct Xtreme supergame . A text that reviews the major contributions that the sector has given reference level, as the old Athena, 1986, title of which I've heard about but have not had the pleasure of playing, I admit. In this section, we all come a degree in mind too much of our time as God of War . As a lover of Greco-Roman mythology, my contact with SCEA's game was an explosion of sensations on one hand, he created a universe that did not reproduce the myths systematically, but gave them a new approach to make the gameplay a fascinating and eclectic experience, with inputs from the best 3D beat'm ups ( Ninja Gaiden, Devil May Cry ) and dotted plataformeo intelligent puzzles Prince of Persia, Tomb Raider or Legacy of Kain: Soul Reaver . To this was added a paragraph graphic-bu-pa-te-Ilan that learned to play with color saturation to move to the bloody and vicious world of the gods, he who remains in the ancient myth but has been cleared after an Olympian sympathetic and idealized in our era. The daring of the hero Kratos in the game is fully comparable to that which took Prometheus to steal fire from the gods to give to humans, only here there is no divine punishment. The punishment they inflict upon us in a development that we will find jellyfish and even mammoth Hydro.

The advertisement and promotion these days have produced some of the English Over the Top and Icarian : Kindred Spirits had not seen since the launch of Clive Barker's: Jericho , source of satisfaction to a domestic industry needs a push from the media. Indeed, in this new project for Wii Ware mythology (the myth of Icarus) and the possibilities for independent production go hand in hand. Something tells me this can not go wrong.

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In his latest post, Makanudoo launches a statement that I would comment: "Street Fighter IV is the best fighting game ever." Not making a metacriticism, but I would like to make it clear where I stand on this premise and what I draw for not accepting it, as it has done so many . After 50 hours of play, here is a brief comment.

If we start to dig the foundations of the industry, easily recognize that everything has a stimulus, a source from which the product is declared debtor. SFIV has come with a media movement that I will not cheat, I never imagined. The first artworks announced a major change in design compared to the models Alpha and Third Strike , but when the cast of characters began to clear, the more roguish and ventured to predict that this fourth installment would be more than just a reminiscence of this pearl we all know and that goes without mention. The fear of a decal or II, on the other hand, the hope of fanboy entourage that resembled as much as possible that took up residence in forums and generated debate. The videos of the game in action via recreational ended speculation and hinted that the new title would drink directly from the second delivery, but providing a delicious and devastating design based in the Amerimanga . Initially seduced some and some not so, but the results are that this month we have been checking everyone.

And here again stalk the above raised questions and immediate response. Is SFIV the best fighting game in history? From my point of view and strongly not . I say this for several reasons, among which are, of course, the fact you have not played them all (even remotely). Far from this pretext easy as pie, do not think you can classify as a fighting game fighting game, period. Gender, for better or for worse, are there, have special characteristics and some assumptions that can not be decontextualized lightly. SFIV is a great arcade , I doubt not, but I want to stress this word because I think it should be analyzed according to its parameters, and not those can be attributed, for example, three-dimensional struggle, much more focused on the simulation . Thus, what originally looked to Sega Virtua Fighter , ie technical, demanding and very accurately in a grid system and obtuse, not had Capcom or SNK in giving life to Street Fighter , Fatal Fury, Art of Fighting or Samurai Shodown , much more focused on the spectacular, jets and a special attack combos accessible and dynamic. There are two ways of understanding Beat'm up not can be forgotten, and which does not escape another sagas most valued by gamers, Soul Calibur, which has a semiarcade style that has yielded great results (although the quality of their titles do not exactly go in crescendo). Determine a valuation of SFIV in this whole spectrum, I think, is wrong. And I'll tell you more, in the event that we were to elevate it into the arcade genre, this statement would fall under its own weight because SFIV, as you know those who are playing, it's not a repeat of II. In addition to the obligatory facelift, the game has a frantic pace that breaks the old balance between coverage and attack this in the title of 1991. The new focus attack , there where you are, adds a multitude of possibilities when running combinations and the presence of a more sequential Ultracomb forces controlling each character animation in battle not broken down to three.

all comes together in a proposal that will generate a strange contradiction: to know you're revisiting and claiming a formula known but raised in modernity, beyond its appearance. The games have become faster over the years, and SFIV is not opposed to this development. An approval becomes in one, as I said, great fighting game, the best in the series and arcade and two-dimensional world, in my opinion. However, my friends, this game does not create a tradition, played with elegance and naturalness that based on SFII and gives continuity over time. A goodness that, however obvious it may seem, is not as easy to materialize in our era. A Golden Axe Beast Rider I refer. The stories of the characters, so hilarious and carefree as ever, only serve to remind us again that Street Fighter: The Last Battle was misunderstood and unfairly beaten up by knowledge capture this spirit. So

which, make no mistake: SFIV not be possible, and not without The World Warrior, which as Alvy Singer says represented a social model game in his time, but without all the titles that Capcom has been shaped to give one day with a product comparable in quality to the myth often tackled. Yes, Ex Plus and questioned Third Strike also respond to the assembly line in series SFIV has found a comfortable and effective model. With all this, what I want to convey? That SFIV is a real fun machine, whose old social game perspectives have mutated into the network game for leaving the old resentments in the houses of the cronies. But that does not stop being that, a thick and powerful branch of the great tree that has grown since 1991, whose shadow, like it or not, continue projecting as much as technology advances and follow each year.

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Street Fighter Revolution IV is not the last ... Dying again


Beat'm that come up to house this year. Yes, I would speak to finally officially announced The Beatles: Rock Band , but the 2d are hitting too hard to the strains of the Liverpool band imposed on the sprite in HD. Yesterday I read in Anaitgames that KOF XII will be released for PS3 and Xbox 360 in July, a fantastic story, coupled with the bath Smite I'm giving to Street Fighter IV, you can make this year 2009 the most fascinating and plausible claim of two dimensions in the fighting genre. Unfortunately, this time the campus will not have the presence of the always stunning Mai Shiranui although apparently seen, the game will be worth it yes or yes.

The other highlight of summer, this time in the country Japan, will be the new Arc System Works, creators of the great Guilty Gear. Blazblue: Calamity Trigger , official heir of the legendary saga, promises to bring great combos with a single but, and it will only 10 playable characters.

And since we're in this for the 2d, Sir, to recommend the compulsory visit to the new blog of wise John Tones , Hadouken! where they can find, among other things, posts devoted to sperm-based shooter.