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the phenomenon Wikileaks-Brief

Whohub : What value do the phenomenon Wikileaks? Is it condemned what they do? Or do we defend the power of the states?


Cecile D.: I think we should look different angles. On the one hand, the cables are released do not contain relevant information from the States, seem to gossip. Nothing has been revealed about the military bases, natural resource strategies and the U.S. economic crisis. But perhaps we will have more luck in the future, until the moment was pure show.


Another interesting aspect that puts a halt Wikileaks is the selection of information from the media allowed to publish the cables. Here we analyze the interests of media companies behind the characterization of the presidents.


In this sense, it is worrying The ambassador repeated in published reports that the mass media. In the case of Argentina, this has been demonstrated and it is very serious diplomatic work to reproduce summarizing what they say two newspapers and a couple of weeklies today.


So do not dazzle me the contents of the cables, but the phenomenon Wikileaks forces them to think another way to state documents, as it has been a very important sign of vulnerability. Hopefully the solution to this, no more restricted to the Internet. December 11, 1910

Links: http://www.whohub.com/cebediaz/log

Wedding Program In Spanish

The role of the housewife in advertising on Page 12 - 8/12/2010 We miss both Walsh

By Cecilia B. Díaz *


recent publications on cleaning products through the drama of everyday situations make it necessary not only consumption but also as expendable reproduce a sexist stereotype, anachronistic and demeaning about the role of women in society .

In this sense, the product series of spots Mr. Muscle is significant. In general, we see the same narrative structure: an area of \u200b\u200bthe house crowded with dirt, a housewife hesitant to the task and, finally, comes the hero who symbolizes the effectiveness of what is sold.

The character Mr. Muscle is athletic, skilled, dynamic and Resolution, and then display its skill, leaving the scene quickly. In contrast, the "victim", annoyed by the inconvenience in your bathroom or kitchen, always a woman, who alone is no solution and is a strong man who's come to save. There reveals the stereotype because, currently, home cleaning is not just the exclusive domain of femininity, but there are men (single, separated and / or heads of household) in front of the housework.

similar case it is Poett, which has different codes in contradiction. On the one hand, the single states: "I have time to create, I am free to dream, I have wanted to sing, I have wings to fly, "which certainly seems a liberating message. However, the star of the advertising piece finishes clean the living room floor and under the effect of the "delicate fragrance," looks back a smile when her son, her husband and dog. Ie become the obligations of her role as wife and mother. Thus, the image is breaking with that message at first, seemed liberating. Is valid, then ask: what is the time you have to "create" if he finished his job back their demands? Indeed, the work is naturalized homemaker means no free time and is intrinsic females.

anachronistically, none of these spots is referred to the professional sphere in which women developed today. Even from the semiotic analysis we can see that in building the image of the housewife uses neutral colors, neat appearance, clothing and hairstyles conservatives achieve the dual purpose of easy identification, on the one hand, and reify the protagonists, on the other. The latter property reach the end where they have no personality, but are hazy on the ubiquity of the product.

advertising for rapid interpretation of his message and highlight the qualities of a product usually rely on simplifications. But in these cases, stereotypes correspond to patterns of another time and its purpose is ultimately naturalize a conservative view of women.


* Degree in Social Communication - Universidad Nacional de La Matanza (UNLaM).

Link: http://www.pagina12.com.ar/diario/laventana/26-158283-2010-12-08.html

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REFORM AND THE TROJAN WAR

Carlos Schrader (Professor of Greek at the University of Zaragoza)

Thanks to Iliad and Odyssey of Homer, are well known throughout the development of the Trojan War: the abduction of Helen, the crossing of the Greek fleet, the epic battles on the plains outside the city, reaching to its conquest by the famous wooden horse trick. This story has fascinated generations of readers, but has also raised serious doubts about its veracity. Should we believe what to Homer? Are your poems a reliable account of a historical event? Or will the Trojan War is nothing more than a figment of the imagination of the poet?

Great importance was, for the way the answer to these questions, the sensational discovery made in 1871 Heinrich Schliemann. This archaeologist and German businessman located on a hill in the northwest of Anatolia, six miles from the Aegean Sea and over five miles from the Dardanelles, the remains of an important city of the Bronze Age. To Schliemann and archaeologists have continued digging at the site until today, no doubt about it: this was the Troy of the Iliad , city, therefore, was not a poetic creation, but it really existed.

Finally, deciphering the mid-twentieth century of clay tablets in cuneiform script in the archives of Hattusa, the capital of the Hittite Empire, allowed to know the political context in which the conflict was narrated by Homer. It was learned that during the reign of the penultimate monarch Hittite Tudhaliya IV (1250-1220 BC), there were great upheavals in Asia Minor. Tudhaliya had to face an alliance of towns and cities led by ASUW (hence the Greek name for Asia) and includes, among others, the Luqqa (or Lycian) south Truisa (plausibly identified with Troy) to the north and in the center, Wilusa perhaps Hittite equivalent of Ilium. The epic tradition have merged into one city with two names (Troy and Troy), two different cities. Mentioned in the tablets also the Mycenaean kingdom Ahhiyawa (identified with the Achaeans, perhaps installed in Rhodes) and its location in Milawata (possibly Miletus).

Evidence that the core of the Homeric poem goes back to the time of the Trojan War is that it preserves the memory of Mycenaean objects not to be used again after the collapse of that civilization, and whose acquaintance was impossible for an eighth-century BC Greek

Traditionally, the outbreak of the war is blamed for the abduction of Helen, wife of Menelaus, king of Sparta, by the Trojan prince Paris (also called Alexander), son Priam and brother of the heir to the throne, Hector. We are facing a pre-rational trait: the justification of a conflict for personal reasons. But the issue of Helena may be a reflection of the importance in the Bronze Age women were granted to build or destroy alliances. In any case, the insult must be avenged, like stealing real treasure of Sparta when Paris and Helen took with them to Troy.

Speculation estimate that the effective modern Greeks could have scored a total of 15,000 men, which would have required some 300 ships. The population of Troy, according to the results of recent excavations, must lie somewhere around 8,000, so the number of men in the age of bearing arms would at some 2,000, to which must be added partners from other parts of the Troad and surrounding regions, which could move to Troy periodically.

The citadel of Troy was hard to take, as it stood on a hill 20 meters high, surrounded by a wall of 350 meters in circumference, 10 height and four thick. The gates were built in the form of <>, so that a possible assailant forced to enter a corridor bounded by two walls before having to turn around to access the door itself. The lower city was protected by a wall of stone and adobe 1.5 kilometers in circumference, with a gap of two meters wide and three deep. The Trojans, therefore, decided to remain on the defensive and do not face their opponents in the open, unless you present a good opportunity. The Greeks would have to take the city by assault, by a siege, for which they did not have enough men or some ploy.

Although the epic tradition holds that the war lasted ten years, many were the heroes who died and Troy just fell through the wooden horse trick devised by Odysseus things can be interpreted in different ways. The ten-year may reflect a long process of clashes between Trojans and Mycenaean which lasted for several decades and on several expeditions. As Troy VI was destroyed by an earthquake and Poseidon was the god to which attributed the earthquakes, the trick of the horse can be a metaphor for what happened, because that was the animal sacred to God. It is also envisaged that the horse in which the Greeks entered Troy was actually a siege engine (in Assyrian relief can see a machine with these characteristics in the form of sickness), which would explain the traces of fire and looting at the site.

We can not, in short, to speak with certainty for any of the scenarios: if there were one or more "wars of Troy, how the city was taken, who took part in the conquest, and so on. We can only conclude that, through the work of archaeologists, linguists and researchers, the last narrated in poetry has become a historical fact.

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INTERCATEDRAS TEXTS OF THE LITERATURE CONFERENCE: Through the doors of the process INTERCATEDRAS

Sierra

Leynis

In order to see the close relationship between cinema and literature, a relationship that from its beginnings to our times has been strengthened, we have raised fundamental objective "look at" both versions of Process, Frank Kafka novel and its film counterpart brought to us by Orson Welles, based on an element of vital importance, "the language."

The film language in order to keep always on the viewer, should specify those elements, actions and highlighting the most important characters for the story of the work, and those that allow us to clearly link the order of the narrative sequences.

In a very striking and interesting Welles presents his reading of process, who made a game in the narratives and stories that Kafka's novel presents an argument of all the absurd plot involving raised . In the film version opening an account is given by a voice that makes us viewers, a fragment found in the chapters summits of the work. It's like an introduction that allows us to educate the world in which Kafka and Orson Welles then immerse us, a world whose atmosphere is cither on the absurd, social and in a petition to the judiciary and representatives of the law as it advances the story grows and makes us feel that there is no escape.

Highlighting the first point to highlight an item within the Kafkaesque narrative becomes interesting and vitally important element Welles brilliantly highlighted in the film, then we refer to the symbolism of the door, instrument interservice two worlds, I'm looking for what seems inaccessible by the disappointment of many doors to open, just the way the story that leads into the film, which prevents me from door approach to the law but is also required to cross to go into this unknown world.

door highlights not only within the novel process in his film version, is also important in The Metamorphosis Gregor Samsa which takes refuge in the beginning to hide that is negligible in which it has become. Again we find here the door as symbols of the obstacle and the entrance to a totally new, and therefore better. Symbolism in the present case is easily detectable by visual stimulation and constant confusion in the film received regarding the use of "gates."

contrast the text with language that shows the film, we find in the novel multiple descriptions of costumes, environments, attitudes of characters that are synthesized and in some cases omitted in the film. The director is the strategy of saving action scenes may seem to us more, contrasting environments where Joseph lives with K ranging discussions that take place there, managing to simplify scenes, clarifying aspects that the reader is understood and leaving one hand, those whose relationship is split from the "process."

To make the viewer and reader of the work before you reach the point of similarity gives us a general outline of the spaces, ie, camera, direct eye spectators quickly takes us on stage, showing that all the elements are there. Body body language that we used shows the strategy used by the director and reflected brilliantly in his actors, that component of stress, anxiety, helplessness and resignation which are folding the characters and gradually transmitted to the reader-viewer.
Similarly, the language of the eyes, so prominent in the text, which serves as a presentation of some characters in the movie remains hidden within itself the idea previously addressed, may be clarified at a glance an action that may well be obviated but not forgotten. With regard to this point and the game looks is also important to note the use of the characters, especially the emergence of the premium "K", when in the novel we are told it by reading a letter. The physical language of cinema and this is reflected in the actors and the character allows us to present us the letter read thus saving time, appearance, obviously connected with that will catch the viewer.

In The Myth of Sisyphus by Albert Camus presents an analysis of Kafka works in the present case meets characteristics as valid and applicable in the text as in the movie. First the presentation of a "trembling characters" received on the novel by the many references to his thoughts, questions, action planning, which again in the film are reduced to a gesture or a look.

also raises the contradiction between individual and universal, as in the absurd and the logical, aspects through dialogue, telling parallel stories let us see the protagonist as an individual entity and logical (from point of view and ours sometimes too), is struggling with a whole universe plunged into the absurd, if not absorbed at least eliminate it. Fundamental aspect in the work of Kafka and the director known to collect in the film so that anyone who has not approached the text fails to understand the ambiguity raised. Contrast that can be allowed to use that non-verbal language of cinema, language is none other than the environment, scenery, environments from every point of view dehumanized, devoid of light, movement, space, environments that surround us and stifle as spectators, environments but at certain times as readers we fell short, and here I refer specifically to the scene of all those accused, listed, waiting for any news of his trial that environment bleak, empty, gray, and with looks, gestures postures and depressing, sometimes not noticeable clearly as we approach the text message that this time the language of film if you can grasp.

To Flavio Wisniachi in his essay "In Search of the realistic (a reading of Kafka from the ontology of Lukács)", raises based on Kafka's characters: "His figures torn between the possibility that is offered to access the essence of things, and ambiguous forces, internal and external, that cloud their critical and forward them to the immediacy of appearance, "the foundation that allows us to place ourselves in the question that Miss Burstner poses for K, were you really awake?, there is a possibility which is very narrow margin that tells us that Joseph K as it as Alice in Wonderland, Lewis Carroll has used the wall of sleep to enter a world illogical, incomprehensible, stifling where the main battle lies in imposing the logic.

And Alicia mentioned not only by considering the dream as a binding element, the comparison is the starting point in the game which uses film language to evoke images and bring up the viewer's visual memory so that the principal basis of the narrative is reflected in other literary works and film works. First we return to the symbolism of the doors or block access to anything but at the same time put us in the seat of judicial offices, doors, we discovered many stairs, mazes, hallways, endless scenes that put us directly the world which will venture Alicia. Another important element in both works is the logic that takes the absurd logic that allows development in all actions Alicia and absurd logic that is presented as an obstacle to the process of K, a clear example of this view we have in the first interrogation of Joseph, the illogic of the questions, responses, attitudes of the characters, their attitude towards the situation.

Thirdly we will refer to the element that allowed us to find points of similarity with the work of Lewis Carroll, and none other than the scene of the lawyer filing Hassler, who in a game of appearances in shows a cloud of smoke, an area inaccessible to us and for K, a lawyer, who with his face covered us back to the track with which Alice should be questioned and held accountable for their presence in this new world.

In conclusion we will quote to Benjamin who reads Kafka "a sinister prophecy which operates in the text and define the fate of their characters." Lucky Orson Welles, using nuevamente del lenguaje cinematográfico y su irrupción en la memoria visual del espectador nos presenta con una imagen más avasallante: el hongo de la bomba atómica alude al exterminio, no solo del individuo K, sino de la humanidad que quizás de una manera inconsciente se está dejando absorber por la lógica absurda de un sistema judicial cuya finalidad es trabajar en procesos como el de Joseph K.

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III DAYS OF HEROIC LITERATURE

Este lunes 24 de mayo se inician las III Jornadas Intercátedras de Literatura en el Instituto Pedagógico de Caracas, promoted by the Department of Castilian, and Latin Literature of the institution. In this 3rd. issue was decided revolve around the relationship fructiífera, controversial. inevitable, irresistible between film and literature. Therefore this conference are titled with the letter filmed, and will begin with the screening and subsequent film forum, mainly developed by students of different subjects in the literature area of \u200b\u200bthe Department, the film Colonel No One type, the Mexican director Arturo Ripstein, who is based on the novel of the same name by Gabriel García Márquez, with a handful of the best English-speaking actors. The screening will begin at 9 am.
continue on Wednesday 26, at the same time, with film projection and film forum Il Postino (The Postman), the British-Australian Michael Radford, from the novel Burning Patience the Chilean Antonio Skarmeta. The film awarded the Academy Award for its soundtrack, is besieged by students of English Language, Literary Analysis, Introduction to the study of literature, among others. It has the intimate and Massimo Troisi posthumous performance.

At 2 pm, this Wednesday, will be the turn of the master version that the great Orson Welles conduct of process of Franz Kafka, with the always disturbing performance by Anthony Perkins, accompanied by Jeanne Moreau and Orson Welles himself, and the attention of the panelists of Contemporary World Literature , Literary Analysis and Literature Seminar.

The next day, May 27, will screen I, the worst of all (9am) of Argentina María Luisa Bemberg, who also acts in the film, alongside Assumpta Serna, based on Sor Juana Inés de la Cruz or the Traps of Faith , Nobel Prize Octavio Paz. El foro estará liderizado por los estudiantes de Literatura Latinoamericana y del Caribe I y Literatura española I. Y esta primera semana de las JIL 2010 I, finalizará con la proyección y cine foro de la cinta Los santos inocentes , del español Mario Camus ( 2 pm), sobre la novela de su compatriota, recientemente fallecido, Miguel Delibes, a la cual abordarán los alumnos de Literatura española II.

En próxima entrega la programación de la segunda semana (del 31 de mayo al 3 de junio).

Toy Desert Eagle Guns

In a time when they are identified as major journalists who defend tooth and nail to corporations agromediáticas; to status quo, they forgot the cross-examination , cross information from reliable sources. Those who use a banal and vague language , who listen and repeat the hegemonic discourse , bathed in an aura of independence hybrid and obviously false, we can only say, miss both Rodolfo Walsh . Link to

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A song brought me here

By the beginning of the weekend, I leave a beautiful melody, relaxed and friendly, Jorge Drexler. Enjoy.

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Women's Day

Women's Day began as a commemoration of the union struggle of workers, but the update reaches a genus claim much broader and on this axis was established date. Obviously, the strongest impulse to do what gave consumerism, thus being a woman "was linked to the gift of flowers, greetings and details like that. But the date gives us space to discuss certain topics on women's rights that are not currently respected.

Since this blog is about what happens in the media, we must refer to the gender issues that are discussed. For example, when there is violence against women would have to stop to speculate on intimate and stop labeling under "or mobile crime of passion" and call femicide. But when the cases are so numerous and increasingly violent. The same applies to the business structure of sexual slavery, too, is forgotten by the media.

From another point of view, there is a predominance of female participation in media as an object, to which many are subjected without objection. As for the "women public "ie political figures are underestimated in their intellectual ability and every decision seems to be reduced to a hormonal impulse or driven by a male mind.

regard to social, I remember a chain mail saying that instead of liberating women, add responsibilities over the years. The terms of beauty, success, motherhood and sexuality overlap lobbying, as excellently stated in the advertising woodpecker Twist (for something, got his message and multiple installation Web versions). Consequently, many issues with which to comply, they can generate guilt when one is left out by choice or circumstance. In this sense, the new video by Julieta Venegas (artist is not to my liking) is a nice metaphor for the redefinition of femininity in these times. It's a question of "whether to bet everything is fine or if you are wrong."

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continue with the analysis of summer ads and messages. In this case, we deal with Pepsi, with its change of image or rather the maturing of his speech to the youth.

"Coca is richer, but Pepsi has more cool", I sentenced a friend long before the debate on spontaneous and repetitive: what soda is richer? It is undeniable as Pepsi was installed in the younger age groups with the participation of music stars in their spots and organization of rock festivals, among other strategies.

In 2009, the brand has renewed its logo and announced a new campaign, full of colors, simple language and smiley. At the level of discourse, there is a maturing teenager that message, now being appealed to transcend, to overcome complexes and think collectively, which indicate some signs of breaking with the precepts of Postmodernism.

In situations of spots, there arises the possibility of "joining a cause", "form a band," "encouraged" by defeating fears. In these proposals, leaving aside the competitive individualism and solidarity goes to a matter of being able to think as an actor of change in this world that seems to collapse. But this task is to equip itself with courage and no guarantee that it reaches life to see results, much less in a daily life that it prints a rapid pace and can not wait.

As music, the theme of The Tipitos "Something" is inspiring and is the key to Pepsi language without causing contradictions with the rest of the television piece. When the campaign enters the radio medium fails miserably, as it is depending on the audiovisual and play music only shows the inability to pass on this brand new concept (error than many other campaigns often make).

Pepsi's message is compact and without doubt, has its counterpart in the interests of many young people. Even in such political parties and the militants do not appear as spaces to change the reality. But the intention is present in youth. In brief is committed to the future and know how to wait when everything tells us that there is room for hope.

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Argentina without borders

In the summer, the advertising of beverages invade us. Sold fresh, fun and pleasure in bubbles as catchy as their jingles, jokes and poses. But they say much more about the discourses circulating in society. In this case, calls the myth Quilmes Immigration and Argentina, despite everything.

A brand that always hits with his great productions is Quilmes, especially in summer. This year we opted to emphasize their Argentinean and tradition in the country. Thus, the founding myth story and Argentina seems unquestionable.

The first strategy is elaborated in the beginning of the campaign, which fictionalized the arrival of Bemberg to the locality and carrying out their enterprise in a country strong. In this sense, the reading is easy (as in any piece of advertising) to appeal to the European immigrant stereotype of a small enterprise cover a large national company.

As denoted, the brand decided to show that the random establishment of the company, does not affect the product and that is a drink "as Argentina," any point of country where it occurs, its loyal consumers would not notice the taste. This triggers a play on words with different cities and the top of the gag is on the misunderstandings that would be generated if the beer will not be called Quilmes. Something innocent if we know that a brand you are looking to be remembered in the mind almost as synonymous with the product. Examples: Paty and Coca Cola, among others.

However, the campaign message focused on answering the blow to his image caused another competitor's ads, when it announced the sale of the Brazilian capital company. At that time, rushed arguments appealing to the soccer rivalry with Rio and finally, Quilmes and it was not credible national team sponsor.

In 2010, the publication of this beer haven in the sentimentality of the past together with immigration and Argentina essentially unconditional. Only a nostalgia in a world that is measured at the moment and is governed by the movement of money.

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No runs, no courts

Spain banned commercial advertising in public television, privileging the social function of average on commercial, self private signals. Thus, he joined the French initiative. It is then a new case to discuss the financing of the state media.

few weeks ago, the journalist Rodrigo Fresán published a column about the discussion and changes in the English public television since the government decided to remove the advertising on the screen. In everyday life, changes that resulted in reduced zapping, news saw their audience and even "people go to bed early" because the programs have a shorter duration.

For those who enjoy their DVDs marathon series and exhibitions, is a relief to watch TV without commercial interruption. It is even easy to remember that this benefit was one of the greatest promises of cable television in early onset. Unfulfilled promise, clearly. However, can not ignore that advertising is the source of industry revenue, while operating as an incentive in the "running the rabbit" the rating. But what is best for the public media? The source of funding means a loss of independence only when it holds the state? Argentina Is it possible in public television and non-governmental?

Locally, there are two clear examples, Channel 7 - Public Television and Canal Encuentro. In the first case, it has commercials and from the nationalization of the football TV rights, has fought the leadership of the rating on the weekends. No However, its editorial line is underestimated with the nicknames of "official", "for propaganda" channel "k", etc. and it seems lots of audience chisels.

For Meeting, at first glance appear to comply with the axioms of a public trust, federal and educational. But access is not free to integrate the grid of pay cable. In any case, courts function as self-promotion. Beyond that, the canal project exceeds the TV screen, reaching the dissemination of a multimedia educational concept. It is undeniable paced documentary that he gave Bauer, from foundational address, opposite the TV commercial. Meeting seeks not pull viewers in frantic succession of zapping but wraps it in a moment, to watch and listen intently to every word.

Meeting in the landscape, the publicity would cause too much noise but have no address for news, does not lead to distrust and explicit criticism at the hearing. It is rare as we discuss the financing of public media, which did not all look. In contrast, when it comes to publicity, sponsor or sponsor any private means, not common perspective on the relationships between corporations and if they can exert any influence on the content.

Finally, advertising is also attractive to watch because it exposes discourses on consumption patterns, world view, stereotypes and languages, so would entail a loss not having it. Even in occurrence of interruption, fragmentation but built with a whole other advertising segments even more mixed.

currently have these models ranging from full or partial subsidy of the programming of public television signals. If we run out of advertising, reality be even more overwhelming? Or the market will find another form of entertainment?, As we face Fresán.

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The weight of the current weekly

few days ago, the website Diariosobrediarios Revistaxrevista announced that his section would be closed to the loss of prominence in the media agenda. Paragraph was to make a score of issues, artwork, fonts and signatures that appeared in various publications. But, the media argued that the output of the section is that magazines fall into "high-sounding tapas notes that refer to general light and built with anonymous sources, explicit political listed in the column (" official "and" opposition ") and lack of information" . Undoubtedly, the list is destructive and it is worth questioning and observe what happens beyond the current weekly.

by his newspaper, magazines such as News, Twenty, Debate, among others are as distinctive value the possibility of not running behind last time to devote to his team of journalists to research and contextual analysis of phenomena social, with a strong impact on the content of other media. This characterization works on the theory and developments during the late 90's. Currently, it is hard to remember the weekly themes are installed on the media agenda. This is due to which new lower-priced weeklies as Profile (weekends) and looks to the south, while the highest recorded sale of newspapers on Sundays, with a corresponding increase in number of leaves. The media took the post of news analysis supported by qualified signatures and ensure the repetition of the agenda in the rest of the week.

This scenario is the one that puts a halt to the printing press when talking about the death of paper, declining readership and consequential financing. Everything is about finding the charm of print journalism, its distinctive appearance before the bombing of the instantaneous. In this regard, Tomas Eloy Martinez struggled to make this an art trade, the search for beauty in the story without sacrificing rigor in information, ie ask for more flight to the ink and not enough automation. Then, as readers do we look at the weight on the agenda or the quality of the texts?

Red Tongue Red Spots Sore Throat

New technologies and their individual devices have led to rapid processing, transfer and publish information. In one of his many echoes traditional media took the tool to feed their audience the content. This multimedia discourse results in the viewer the unique opportunity to share their experiences, with an aura of enthusiasm about expanding sources of information. And on some occasions, capture images ranging from the fatal, as the Dakar Rally, and good taste, and Sandro's funeral. But far from a broader perspective, television is imposing its agenda and aesthetic.

The slogan upload your images, by means repeats at the inability of the camera to possess such material. In cases of extreme weather events in different parts the country, reveals the "Buenos Aires" centrism "that characterizes the current media system and reducing postal landscapes show a minute. This is the aspect that gives the value to the piece because no spectacle, no news.

Obviously, the diversity of material is remarkable. In this sense, we can not ignore the need for some viewers who are fighting for a share of fame, they are reluctant just a moment, in which the speaker / driver mentions them as "Juan de Colón, Buenos Aires province." But the words away from catapult to public notice, the lost in the same spectacular and the succession of similar images.

same is, it happened in the last week in Dakar because the transmission was subject acquired rights in this case by public television. This limit was reached difficult to explain when the desire to grasp the image, the media showed the efforts of amateur writers. For example, in some sections where the bikes went by at high speed routes, many with their small cars or motorcycles tried to approach the pilot and say hello and to portray it in a risky move.

Now, can we put aside the temptation to click when we have a little camera in your pocket? "Refusing to reward out on TV or be named because he read a comment on Facebook? Can we be so naive to believe that these slogans, the media listen and transmit the interests of citizens? Here is another case where the camera was also closed to the media: The public funeral Sandro. While it may sound contradictory and pays for the televised debate in the wake of the idol, it is necessary to emphasize the anxiety of the means for generating material in the transmission of 24 hours but finally the request of the relatives was observed in a pact between journalists and the people who fired him. The zeal of the family for these pictures seem naïve to the passage of the crowd and the possibility of taking a photograph or video in just seconds with the have a cell phone, an issue that also happened and failed to a great rotation on broadcast television and stay on YouTube.

In any event, the user who "share" your media material known to lose his ownership of it and get nothing in return. His assignment of rights will leave the way publishers and publishing on TV. Thus, should the need arise to disclose any fact which escaped the newspaper or look for local political reasons could not reproduce the editorial line of multimedia imposes its agenda and putting aesthetic criteria a quality filter and near major corporate censorship.