Modeling Industry's Responsibility

CQC with his particular way of integrating women

CQC again last night. That acronym denoting the irreverence, destructive criticism and political disenchantment that led to star instead of the unknown Noter. Very 90's. Many years passed and the style of black men became an example in the schools of journalism and professionalism in news, where the reporter stands by his charisma and / or occurrence for spending limits.
This year, the program has changes: Noter the first woman on staff movements. In content, little or nothing. In recent editions, the "newness" which sold CQC is the participation of women, to cut the acidity as sexist and retrograde, which contradicted irreverence boasted the cycle.
However, Ernestina Pais, compared to driving, and the incorporation of the new Noter are only symbolic messages. So here, as in other spheres of power, the representatives of the genre and reproduce a speech masculinized women commonplace in society. This premise may sound like a final statement, but it is simple conclusion that can be made after looking at the "poll" on the legislators and ministers in the policy and how the men are saying publicly about their role.
In the latter, it was quite clear that no politician would risk his image with a comment misogynist. Much less in an election year. But here the position of the new Noter wrong methodology. It is dedicated to play and flirt with the interviewees, the ironic comments are ineffective and no challenges to defend the space of a woman who took the floor.
This is intensified when the dialogue with the minister Garre and other belongings party legislators, is engaged in a double sense to consult worn about their sexual preferences, aesthetics, and other minor issues regarding the exercise of the power they hold. To the idea of \u200b\u200bthe survey would have been much more interesting to consult on: decriminalization of abortion, domestic violence, shorten the wage for equal work, improve working conditions during pregnancy and lactation, stereotyping in the media and basically know what they are working to dismantle the network of trafficking mafia, whose main victims are women and children. It was very sad this silence that underestimates the potential of women in the State.
Obviously, these issues are not profitable uncomfortable role of the figure of Noter. Always "Garpa more" entertainment and silliness (must mention the terrible note of Gonzalo Rodriguez in Italy at a party they throw oranges popular> that she did in the last decade Tinelli infamous). This exceeds the journalist, is an institutionalized practice of the program: the fly sophist rhetoric from annoying but nothing suggests. A pity.

Pokemon Soul Silver Rom Patch

In search of national and popular aesthetic

The exhibition " They thought: a tribute to the thought and national commitment" that takes place at the Palais de Glace reveals a historical and ideological powerhouse of intellectuals persecuted, demonized and none that " questioned the established order of a dependent Argentina and we proposed the construction of a different country, "as reads the program.


One of the best posters

The circular route, latent images of Evita Peron to Nestor and Cristina Kirchner, Jauretche, Scalabrini Ortiz, Rodolfo Walsh, Mugica and Discépolo, among others. Undoubtedly, this selection of figures in art, journalism, politics and literature has attracted controversy when attempting the futile search for objectivity, as did the criticism of Clarin and La Nacion.

However, the meaning of this sample is not only claim these figures plunged into the darkness of the education system and media, but also rebuild kirchnerismo the ideology of dissimilar historical contexts. This brings new challenges heirs of a cultural battle that continues in time.

In this regard, and as a result of this new movement, it does not appear an aesthetic identity of the messages. Many may argue that this is a minor issue, but the flaw in the communication power of Kirchner led to sharp questioning the policies of state. And how dangerous the use of codes of pop, is the trivialization of national thought and its representatives.

is urgent therefore to generate a new national aesthetic so popular as the content of messages. This is not impossible. Recall the role of the arts activist Ricardo Carpani, with shapes and themes that fell under the European categories, precisely because this is it: to think from ourselves, from the particularity of the local.
plastic
But Carpani was built in another Argentina, where coups were recurrent episodes and each time more intense. This time differs from the actors and the type of violence being committed, more subtle, more enforcement, more effective. And the battlefield are the media and the discourses they circulate, with the advantage of access to the production and dissemination of content (with limitations, but much lower than at other times).

Today, Kirchner has renewed militancy, with strong knowledge of new technologies and less committed to the "sacred word" of media conglomerates, but it needs to articulate a wealth of thought and in that role, the show They thought is strategically effective. In this regard, an educative action is perfect, including the addition of a sales stand in these books or the reproduction of films and documentaries for Channel Meeting extends its educational impact. It is strange then, as from the Ministry of Culture decided this pop aesthetic that celebrates mass production and not the uniqueness of the national. Perhaps we see a building just put the first bricks.

http://www.ellospensaron.com.ar/

Until 10 April, Tuesday to Sunday from 12 to 21hs. Palais de Glace, CABA
Free admission

ZN